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Published in Tate Etc..., Autumn 2005 ( Issue 5 )
Published in The Guardian, September 2005
(Dean’s) genius, with her slow, steady, held frames, is to allow the viewer to dream the Fernsehturm; to enter it without hurry, without expectation, and to accept, as we do in a dream, a different experience of time, and a different relationship to everyday objects.
Published in Art Forum, Summer 2005
Published in Art Forum, May 2005
Published in Time Out, April/May 2005
Published in Art Monthly, April 2005
Published in The Guardian G2, March 2005
Published in Frieze, January/February 2005 ( 88 )
Neither the Modernist model of linear development nor the more recent model of scattered diversity can describe the structure of Tacita Dean’s body of work. Certainly every new piece makes sense in its immediate context, but it also, more interestingly, forms links with much earlier ones, illuminating them as if from new angles and unlocking ideas or meanings for the first time.
Published in Modern Painters, December/January 2005
Published in Art Forum, December 2004
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