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Published in Contemporary Arts Society, April 2008
Published in Manifesta4, February 2008
Massimo Bartolini creates real physical environments while being uniquely capable of relating them to some superior worlds. His installations include a special use of light and often sound. They are indeed rooms and spaces that, however, have immense tactile power.
http://www.manifesta.org/manifesta4/en/projects/artist1361.html
Published in re-title.com, February 2008
http://www.re-title.com/exhibitions/archive_DAmelioTerras1203.asp
Published in Luceonline.it, February 2008
‘The artist has created an installation using light, immaterial element constituted by pure energy. The art-work will be on the facade of the MAXXI, in close relation with the new museum and with the city.’
http://www.luceonline.it/eng/main.php?action=fullnews&id=117
Published in BBC, August 2007
‘Set within the far space, Sphere catches your eye and ear. A game of boules is underway with a French radio station’s commentary in the background to spur you on. However, the dynamics of the game have been tampered with as we are inside and an incongruous walnut has replaced the “cochon”. The walnut’s capricious surface generates an undeterminable game, as you are encouraged to appreciate the moment of throwing a shiny brass ball to its unknown fate.’
Published in Guardian, The Guide, July 2007
‘Bartolini is able to infect the most brute urban environments with a monumental, often transcendental sculptural poetry. Manufactured detritus, often on a gargantuan scale, is played off against the most charming of natural delicacies.’
Published in El Pais, Cataluna, June 2007
Published in Museum Abteiberg Monchengladbach, August 2003
Published in ArtForum, October 2002
http://findarticles.com/p/articles/mi_hb3202/is_200210/ai_n7874910
Published in Tema Celeste, Summer 2002
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