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Published in Guardian.co.uk, 22 March 2012
The Delhi-based trio Raqs Media Collective are Jeebesh Bagchi, Monica Narula and Shuddhabrata Sengupta. To describe them as artists doesn’t quite cut it. They make videos, high-tech objects, installations and online projects exploring a world reshaped by globalisation, from the blazing lights of India’s rapaciously evolving cities to the shabby gloom of a Tyneside dock. Since they founded Sarai, their Centre for the Study of Developing Societies, in Delhi in 2000, they’ve reached far beyond art’s usual bounds, developing media projects with local communities, conducting urban research, editing a journal and curating international exhibitions.
http://www.guardian.co.uk/artanddesign/2012/mar/22/artist-week-raqs-media-collective
Related Artists: Raqs Media Collective
Related Exhibitions: Raqs Media Collective: Guesswork
Published in Wall Street Journal, 22 March 2012
Callum Innes is best known for what critics dub “unpainting,” and he has collaborated on exhibits with such non-painters as novelist Colm Tóibin. But for an abstract, boundary-crossing artist, his reflections on art can sound almost traditional.
“I like the idea of beauty,” he says. “I see nothing wrong with the beautiful, for things to have a rightness about them.”
His first solo exhibition in Asia, at Edouard Malingue Gallery in Hong Kong, recently opened. The 1995 Turner Prize finalist shared his thoughts on seeing sound and the biggest problem with art.
http://blogs.wsj.com/scene/2012/03/22/the-unpainter/?mod=google_news_blog
Related Artists: Callum Innes
Published in Artit , 12th February 2012
Describing herself as a bookmaker who works with photography, Dayanita Singh has a profound understanding of the pliability and reproducibility of images: how they are processed and can be printed or projected onto any surface, and how those surfaces themselves can be folded or unfolded, enlarged, expanded, compressed, carried, mailed or discarded. Constantly thinking about new ways to present her photographs, Singh continuously reinvents those photographs, in the way that language reinvents words. For her, then, all images are singular events that also intrinsically exist in relation to other images, or even in relation to past and future instances of their own apparition. For her, images have the same conditionality and abstraction as spoken words, always disappearing the instant they are materialized, formed and deformed by preceding and succeeding utterances or caesuras, yet, at times when decisively employed and at others simply as determined by chance and context, also capable of fastening in the mind’s eye an impression of the grave, exciting physicallity and consequentiality of the world around us.
http://www.art-it.asia/u/admin_ed_feature_e/1j3bL0txwB8dPsIuYFUD
Related Artists: Dayanita Singh
Published in Scotsman, January 2012
This impulse to make contact with surfaces is everywhere in Barriball’s work. Door is an entire traditional door, made by laying a sheet on the surface and covering it with graphite, like a kind of brass rubbing. In the process it acquires three dimensions, like a shallow relief sculpture. Mirror Window Wall is a series of sash windows rendered, through similar techniques in silver ink.
Again Barriball is worrying away with the questions of openings and barriers, apertures and dead ends. Mirror Window Wall confuses. You wonder about whether it, or you, is inside or out. Many of Barriball’s similar works render something transparent like glass into a hard opaque surface.
Related Artists: Anna Barriball
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