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Published in The New York Times, 2 December 2005 ( p 29 )
Related Artists: Polly Apfelbaum
Published in Metalsmith, Winter 2005
Related Artists: Cornelia Parker
Published in Art Monthly, December 2005 - January 2006
Related Artists: Bridget Smith
Published in The Burlington Magazine, December 2005
Related Artists: Jaki Irvine
Published in Time Out, December 2005
Related Artists: Bridget Smith
Published in Art Monthly, December 2005 - January 2006
Related Artists: Jaki Irvine
Published in Frieze, November - December 2005
http://www.frieze.com/issue/review/jaki_irvine1/
Related Artists: Jaki Irvine
Published in Art in America, November 2005
Schutte’s model dwellings--which embody a longstanding interest in functional design that was first expressed in his work in the early 1980s--are compact and practical, but not constricting: they open out and up. In one instance, the cylindrical element becomes a basement or foundation; in another, it’s a skylight; in yet another, it creates a portal-like window on the side.
http://findarticles.com/p/articles/mi_m1248/is_/ai_n15860928
Related Artists: Thomas Schütte
Published in Art Monthly, November 2005
Related Artists: Jaki Irvine
Published in The Independent, November 2005
Related Artists: Bridget Smith
Published in i-D Magazine, November 2005
Related Artists: Bridget Smith
Published in Art in America, November 2005
http://findarticles.com/p/articles/mi_m1248/is_10_93/ai_n15860934
Related Artists: Fiona Tan
Published in The Art Newspaper, Frieze Art Fair Edition, 23 October 2005
‘I don’t make art about art’, Parker claims, and although there are enough references to other artists and art ideas to satisfy the most obsessive of critics, this is one of the beauties of her work.
http://www.theartnewspaper.com/fairs/Frieze/2005%5CFRIEZE2005_4.pdf
Related Artists: Cornelia Parker
Published in Guardian, October - November 2005
Bridget Smith photographs escapist’s paradises like Japanese love hotels and the gaming parlours on the Las Vegas strip, where the itinerant and the footloose can revel in the delights of untrammelled promise
http://www.guardian.co.uk/theguide/exhibitions/story/0,,1601670,00.html
Related Artists: Bridget Smith
Published in Art in America, October 2005 ( p 122-129 )
Related Artists: Polly Apfelbaum
Published in ArtForum, October 2005
The combination of real time with the rudimentary, sometimes out-of-focus, black-and-white double image evokes Warhol’s double-screen talkies of the mid-’60s. No Warhol film, however, not even the recently restored Mrs. Warhol (a 1966 portrait of the artist’s mother), has the stunning intimacy of this home movie, not to mention the weight and necessity of bearing witness to an unspeakable history.
http://findarticles.com/p/articles/mi_m0268/is_2_44/ai_n16752840
Related Artists: Chantal Akerman
Published in ArtForum, October 2005
(Dorothy Cross’s) works draw much of their darkly humorous power from their ambiguous echoes of human sexual organs. Like the stuffed-snake works, however, they also draw on a particular animal’s accumulated wealth of symbolic associations across many cultures.
http://findarticles.com/p/articles/mi_m0268/is_2_44/ai_n16752891
Related Artists: Dorothy Cross
Published in Financial Times, October 2005
Like its predecessors, this exhibition has profound things to say about the suspension of time, the impossibility of being at the centre,the nature of matter and anti-matter and of the object’s relationship to the space in which it exists.
http://www.ft.com/cms/s/0/435a4916-3605-11da-903d-00000e2511c8.html?nclick_check=1
Related Artists: Cornelia Parker
Published in Tate Etc..., Autumn 2005 ( Issue 5 )
http://www.tate.org.uk/tateetc/issue5/futuretechnology.htm
Related Artists: Tacita Dean
Published in Galleries, September 2005
Being inconclusive is one potent quality, not to deceive but to attract; a second is to materialise, but not to describe. Drawing the texture and surface of a brick wall, her dense graphite and clay pencil-marks travel across the paper like a computer printer head, resubstantiating the original as a flat simulacrum in grey black that emits a silver sheen in real light like an early photograph.
http://www.martinholman.com/atasteofwriting.htm
Related Artists: Anna Barriball
Published in The Guardian, September 2005
(Dean’s) genius, with her slow, steady, held frames, is to allow the viewer to dream the Fernsehturm; to enter it without hurry, without expectation, and to accept, as we do in a dream, a different experience of time, and a different relationship to everyday objects.
http://www.guardian.co.uk/film/2005/sep/29/1
Related Artists: Tacita Dean
Published in ArtForum, September 2005
http://www.thecentreofattention.org/research/vartforum2.html
Related Artists: Marlene Dumas
Published in The Guardian, September 2005
Related Artists: Cornelia Parker
Published in CIRCA Art Magazine Online Review, September 2005
Juan Uslé’s work looks like it was a lot of fun to make. One vivid colour jostles with another and fluid washes of red, green or fluorescent orange chase each other around these mostly large-scale paintings, mainly over two metres each.
http://www.recirca.com/reviews/juanusle/index.shtml
Related Artists: Juan Uslé
Published in Independent, 9 July 2005
http://findarticles.com/p/articles/mi_qn4158/is_20050709/ai_n14723717?tag=rel.res2
Related Artists: Jaki Irvine
Published in Time Out London, July 2005
Related Artists: Dayanita Singh
Published in Contemporary, 2005 ( No. 71 )
Related Artists: Fiona Tan
Published in Contemporary, 2005 ( Issue 76 )
Related Artists: Jaki Irvine
Published in Kunstforum International 174, 2005
Published in Cerámica, 2005 ( 95 )
Published in Art Forum, Summer 2005
Related Artists: Tacita Dean
Published in CIRCA, Summer 2005
http://www.recirca.com/backissues/c112/p24_33.shtml
Related Artists: Dorothy Cross
Published in Henry Moore Institute Newsletter, June/July 2005
Related Artists: Jaki Irvine
Published in Art New England, June-July 2005
Related Artists: Dayanita Singh
Published in The New Yorker, May 2005
The networks of lines on clean, clear surfaces are diaphanous, with lighter marks disappearing into the ground; the effect is as enthralling, and as delicately precise, as an illuminated manuscript.
Related Artists: Ingrid Calame
Published in The Independent, May 2005
Related Artists: Anna Barriball
Published in ArtForum online, May 2005
Related Artists: Dorothy Cross
Published in Art Forum, May 2005
Related Artists: Tacita Dean
Published in Guardian, 4 April 2005
http://www.guardian.co.uk/culture/2005/apr/04/1
Related Artists: Thomas Schütte,
Bridget Smith,
John Riddy
Related Exhibitions: Eccentric Spaces
Published in Time Out, April/May 2005
Related Artists: Tacita Dean
Published in Time Out, May/June 2005
Related Artists: Dorothy Cross
Published in The New York Times, April 2005
Related Artists: Fiona Tan
Published in ArtReview, April 2005
Related Artists: Fiona Tan
Published in Art in America, April 2005 ( p 55-59 )
Related Artists: Polly Apfelbaum
Published in Art Review, April 2005
Related Artists: Fiona Banner
Published in Observer, April 2005
Related Artists: Dorothy Cross
Published in The Boston Globe, April 2005
Related Artists: Dorothy Cross
Published in The Observer, April 2005
Related Artists: Dorothy Cross
Published in Art Monthly, April 2005
Related Artists: Tacita Dean
Published in Time Out, April 2005
Related Artists: Thomas Schütte,
Bridget Smith,
John Riddy
Related Exhibitions: Eccentric Spaces
Published in artdaily.com, April 2005
Related Artists: Dayanita Singh
Published in The Boston Phoenix, April 2005
Related Artists: Dayanita Singh
Published in The Guardian, April 2005
http://www.guardian.co.uk/culture/2005/apr/12/1
Related Artists: Fiona Tan
Published in The Observer, April 2005
Related Artists: Fiona Tan
Published in Independent, April 2005
http://findarticles.com/p/articles/mi_qn4158/is_20050415/ai_n13608955?tag=rel.res2
Related Artists: Fiona Tan
Published in The New York Times, 13 March 2005
Related Artists: Fiona Banner
Published in International Herald Tribune, 12 March 2005
Related Artists: Fiona Banner
Published in artsMEDIA, March-April 2005
Related Artists: Dayanita Singh
Published in Adbusters, March/April 2005 ( Vol. 13, No. 2 )
Related Artists: Marlene Dumas
Published in The Guardian G2, March 2005
Related Artists: Tacita Dean
Published in New York Times, March 2005
http://www.nytimes.com/2005/03/27/arts/design/27kino.html
Related Artists: Marlene Dumas
Published in Frieze, March 2005
Related Artists: Thomas Schütte
Published in The New York Times, March 2005
In houses and apartments in Calcutta in 2002, Ms. Singh found herself taking pictures, as she had at Anand Bhavan, of rooms empty of people but filled with traces of them: an armchair awaiting the arrival of one family member, a desk chair vacated by another; a daybed where someone now dead had once napped.
http://www.nytimes.com/2005/03/30/arts/design/30cott.html
Related Artists: Dayanita Singh
Published in The Burlington Magazine, February 2005
Related Artists: Marlene Dumas
Published in ArtReview, February 2005
Related Artists: Marlene Dumas
Published in ArtReview, February 2005
Related Artists: Dayanita Singh
Published in The Daily News, February 2005
Related Artists: Dayanita Singh
Published in The Boston Globe, February 2005
Related Artists: Dayanita Singh
Published in , February 2005
Related Artists: Dayanita Singh
Published in Financial Times, February 2005
Related Artists: Dayanita Singh
Published in Boston Herald, February 2005
Related Artists: Dayanita Singh
Published in The Burlington Magazine, February 2005
Related Artists: Fiona Tan
Published in Frieze, January/February 2005 ( 88 )
Neither the Modernist model of linear development nor the more recent model of scattered diversity can describe the structure of Tacita Dean’s body of work. Certainly every new piece makes sense in its immediate context, but it also, more interestingly, forms links with much earlier ones, illuminating them as if from new angles and unlocking ideas or meanings for the first time.
http://www.frieze.com/issue/article/time_has_told_me/
Related Artists: Tacita Dean
Published in The Independent, January 2005
Related Artists: Marlene Dumas
Published in The Observer, January 2005
http://arts.guardian.co.uk/reviews/observer/story/0,,1401450,00.htm
Related Artists: Marlene Dumas
Published in The Guardian, January 2005
http://arts.guardian.co.uk/critic/review/0,,1399337,00.html
Related Artists: Marlene Dumas
Published in The Times, January 2005
Related Artists: Marlene Dumas
Published in The Telegraph, January 2005
http://www.telegraph.co.uk/arts/main.jhtml?xml=/arts/2005/01/26/bapaint26.xml
Related Artists: Marlene Dumas
Published in The Guardian, January 2005
http://www.guardian.co.uk/uk/2005/jan/25/thesaatchigallery.arts
Related Artists: Marlene Dumas
Published in The Independent, January 2005
Related Artists: Callum Innes
Published in The Guardian, January 2005
Related Artists: Annelies Strba
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