Frith Street Gallery

Golden Square

17-18 Golden Square, London W1F 9JJ
T +44 (0)20 7494 1550 ~ F +44 (0)20 7287 3733


  • Fiona Tan: Wako Works of Art ~ Dawn Chan

    Published in Artforum, November 2014

    Nicknames, for the most part, arise from familiarity, even intimacy. As such, the pet name “Nellie,” which gives the title to a 2013 video by Fiona Tan, is a wry foil to the work’s flaxen-haired cipher of a subject. Loosely based on Rembrandt’s illegitimate daughter Cornelia van Rijn, Tan’s preteen protagonist remains unknowable throughout the video, her inner life anyone’s best guess, as she poses her way through a sequence of successive indoor vignettes, pale-skinned and beatific, her gown a blue-and-white patterned chintz.

    Related artists: Fiona Tan

  • Dorothy’s art gives death new lease of life ~ Declan McGuire

    Published in Connacht Tribune, October 2014

    Her work is beautiful, surreal and often challenging but nothing is done to shock or be grotesque, she says. In person, she is warm and quirky and that’s reflected in the art, where there’s a sense of mischief and gentle humour.

    “There has to be,” says Cork-born Dorothy who lives just outside Tully Cross in Connemara, with seas, mountains and islands on her doorstep.

    Related artists: Dorothy Cross

  • Go Away Closer: Dayanita Singh at the MMK in Frankfurt

    Published in Deutsche Bank ArtMag, October 2014

    She is one of the most important photographers worldwide. Again and again, Dayanita Singh calls the conventions of her medium into question. Now, the MMK in Frankfurt presents a major show of the Indian artist’s work, which an entire floor in the Deutsche Bank Towers is dedicated to. Singh’s work is also included in the exhibition “Time Present” currently touring through Asia, which brings together international photo works from the Deutsche Bank Collection.

    Related artists: Dayanita Singh

  • Raqs Media Collective: FRITH STREET GALLERY ~ Himali Singh Soin

    Published in Artforum Critics' Picks, October 2014

    A pitch-black clock, The Ecliptic, 2014, holds pride of place in Raqs Media Collective’s current exhibition, “Corrections to the First Draft of History.” Replacing numbers, one half of the clock bears the word TIME, while on the other half, the words FREE, FOLD, FIGURE, FUN, FIX, and FREEZE alternatingly light up. The alliteration provides rhythm and a sense of repetition but also brings to mind the F-word: future.

    Related artists: Raqs Media Collective
    Related Exhibitions:

  • Marlene Dumas show at the Stedelijk, Amsterdam ~ Rachel Spence

    Published in Financial Times, October 2014

    A survey of works by the South-African born artist gives reason to why she is perhaps the world’s most interesting figure painter.

    Related artists: Marlene Dumas

  • Fiona Banner: sculptures from a non-sculptor ~ Louisa Buck

    Published in The Telegraph, September 2014

    But the exhibition’s real show stopper is “Chinook”, Banner’s ambitious revisiting of her ambivalent obsession with military hardware. Suspended inside the vast, hangar-like space of YSP’s Longfield Gallery are two huge pairs of helicopter blades that rotate overhead, gathering speed to a whipping crescendo, before gradually slowing down to near motionlessness and then again beginning to gather momentum in a way that, although appearing to be random, is in fact in a carefully programmed sequence.

    Related artists: Fiona Banner

  • Chinooks away: Fiona Banner’s terrifying homage to a helicopter ~ Jonathan Jones

    Published in The Guardian, September 2014

    How do you translate the world into words? What is the relationship between language and sensory experiences? Banner turns such apparently dry philosophical musings into exciting, intense, funny art.

    Related artists: Fiona Banner

  • Fiona Banner: Full metal racket ~ Louis Wise

    Published in The Sunday Times, September 2014

    After hanging jets in the Tate, Fiona Banner has moved on to Chinooks in Yorkshire.

    Related artists: Fiona Banner

  • Social Studies | Marlene Dumas ~ Claire Messud

    Published in The New York Times, August 2014

    One of the most provocative painters of the human form, the South African–born artist Marlene Dumas doesn’t match the stereotype of artist as solitary genius. Her way is chaotic, more responsive and uncertain — and that is her brilliance.

    Related artists: Marlene Dumas


    Published in The New York Times, June 18, 2014

    AMSTERDAM — “When I was in the army, they gave me a medal for killing two men and a discharge for loving one.”

    So reads the text beneath a haunting ink-and-metallic acrylic portrait of Leonard Maltovich, an American veteran of the Vietnam War who died in 1988 at the age of 45. It is one of 16 portraits that make up “Great Men,” a series by the contemporary artist Marlene Dumas that will be exhibited in St. Petersburg, Russia, as part of Manifesta 10, the European Biennial of Contemporary Art, June 28 to Oct. 31.

    Related artists: Marlene Dumas

Page  < 1 2 3 4 5 >  Last ›