Frith Street Gallery

Golden Square

17-18 Golden Square, London W1F 9JJ
T +44 (0)20 7494 1550 ~ F +44 (0)20 7287 3733

  • Saatchi and the shock of the traditional ~ Richard Jinman

    Published in The Guardian, January 2005

    http://www.guardian.co.uk/uk/2005/jan/25/thesaatchigallery.arts

  • Behold a Muslin at Christmas ~ Marlene Dumas

    Published in The Guardian, December 2004

  • Critics' Choice

    Published in Time Out London, December 2004

  • Marlene off the wall ~ Sarah Kent

    Published in Time Out, December 2004

  • Fatal attraction ~ Adrian Searle

    Published in The Guardian, November 2004

    In a painting, the smallest things matter, the most cursory little incident. What gets better and better in Dumas’s work is the tension between the articulated and those other areas she passes over in silence, or falls into uncouth passages of collided strokes and rubbings-out, the places where the painting suddenly fumbles.

    http://arts.guardian.co.uk/critic/feature/0,,1357433,00.html

  • Ready for your close-up ~ Tom Lubbock

    Published in Death? The Independent, November 2004

    http://findarticles.com/p/articles/mi_qn4158/is_20041122/ai_n12819256

  • Marlene Dumas: The Second Coming ~ Fisun Guner

    Published in Metro, November 2004

  • Marlene Dumas ~ Craig Burnett

    Published in The Guardian, The Guide, November 2004

    Known for her depiction of bodies - often strippers or prostitutes - the work of Amsterdam-based painter Marlene Dumas has always been haunted by the evanescence of the flesh and the possibility of redeeming it through painting.

    http://www.guardian.co.uk/theguide/exhibitions/story/0,,1343691,00.html

    Related Exhibitions: MARLENE DUMAS: The Second Coming

  • Sight, Sin and Redemption ~ Nicole Davis

    Published in Artnet, June 2004

    Dumass painterly quality is so sensuous that it furthers the hunger for her images. She is a self proclaimed Abstract Expressionist Painter working very quickly by moving the viscous mixture of paint and thinner across the canvas creating an almost blurred and diaphanous sensation, reminiscent of Michaux and Richter. 

    http://www.artnet.com/Magazine/reviews/davis/davis6-18-04.asp

  • The Perfect Lover ~ Sarah Kent

    Published in Time Out, March 2004

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