Frith Street Gallery

• Sensation! It's paint on canvas ~ Rachel Campbell-Johnston

  Published in The Times, January 2005

• The good, the bad and the ugly ~ Richard Dorment

  Published in The Telegraph, January 2005

  http://www.telegraph.co.uk/arts/main.jhtml?xml=/arts/2005/01/26/bapaint26.xml

• Saatchi and the shock of the traditional ~ Richard Jinman

  Published in The Guardian, January 2005

  http://www.guardian.co.uk/uk/2005/jan/25/thesaatchigallery.arts

• Behold a Muslin at Christmas ~ Marlene Dumas

  Published in The Guardian, December 2004

• Critics' Choice

  Published in Time Out London, December 2004

• Marlene off the wall ~ Sarah Kent

  Published in Time Out, December 2004

• Fatal attraction ~ Adrian Searle

  Published in The Guardian, November 2004

  In a painting, the smallest things matter, the most cursory little incident. What gets better and better in Dumas’s work is the tension between the articulated and those other areas she passes over in silence, or falls into uncouth passages of collided strokes and rubbings-out, the places where the painting suddenly fumbles.

  http://arts.guardian.co.uk/critic/feature/0,,1357433,00.html

• Ready for your close-up ~ Tom Lubbock

  Published in Death? The Independent, November 2004

  http://findarticles.com/p/articles/mi_qn4158/is_20041122/ai_n12819256

• Marlene Dumas: The Second Coming ~ Fisun Guner

  Published in Metro, November 2004

• Marlene Dumas ~ Craig Burnett

  Published in The Guardian, The Guide, November 2004

  Known for her depiction of bodies - often strippers or prostitutes - the work of Amsterdam-based painter Marlene Dumas has always been haunted by the evanescence of the flesh and the possibility of redeeming it through painting.
  

  http://www.guardian.co.uk/theguide/exhibitions/story/0,,1343691,00.html

  Related Exhibitions: MARLENE DUMAS: The Second Coming

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